The Bard in the Borderlands: An Anthology of Shakespeare Appropriations en la Frontera
Kepaano Richter’s Marqués: a Narco Macbeth has been published in The Bard in the Borderlands: An Anthology of Shakespeare Appropriations en La Frontera, Volume 1 (ACMRS Press, 2023) Drs. Katherine Gillen and Adrianna Santos (both at Texas A&M University-San Antonio) and Dr. Kathryn Vomero Santos (Trinity University-San Antonio) have collaborated on a new book titled, The Bard in the Borderlands: An Anthology of Shakespeare Appropriations en la Frontera, published by ACMRS Press, the publishing arm of the Arizona Medieval and Renaissance Center at Arizona State University. This anthology has collected and made available Shakespeare appropriations set in or engaging with the U.S.-Mexico borderlands, thereby enabling culturally and regionally relevant teaching, performance, and research. “In recent years, we have witnessed a groundswell of Borderlands Shakespeare productions that engage with the unique, hybrid culture of la frontera and that interrogate the complex layers of colonialism shaping both the region and Shakespeare’s reception in it. “ – Dr Kathrine GillenBibliography Link: https://t.co/wpWdkk0h8Z
Thank you @gemmaallred, @Ben_Broadribb, and @_erinsullivan for including MOORE – a Pacific Island Othello in, Lockdown Shakespeare: New Evolutions in Performance and Adaptation. It will be an Arden Shakespeare like no other. Mahalo nui to all who fought to ensure “that the powerful play goes on,” and to those who chose to write about it.
Shakespeare and Latinidad, “Staging Shakespeare for Latinx Identity and Mexican Subjectivity: Marqués: A Narco Macbeth” by Dr. Carla Della Gatta, Edinburgh University Press 2021. Click on image or here for link to article.
Shakespeare, Volume 17, Issue 1, Routledge (2021)
Shakespeare, Race and Nation, guest-edited by Farah Karim-Cooper and Eoin Price. “Review of Stephen Richter and Mónica Andrade’s Marqués: A Narco Macbeth. University of California, Santa Cruz,” by Dr. Kathryn Vomero Santos (Trinity University). Click on image or here for link to article (or view on Google Drive)
The Bard in the Borderlands: An Anthology of Shakespeare Appropriations en la Frontera
Drs. Katherine Gillen and Adrianna Santos (both at Texas A&M University-San Antonio) and Dr. Kathryn Vomero Santos (Trinity University-San Antonio) are collaborating on a new book titled, The Bard in the Borderlands: An Anthology of Shakespeare Appropriations en la Frontera, which will be published by ACMRS Press, the publishing arm of the Arizona Medieval and Renaissance Center at Arizona State University. This anthology will collect and make available Shakespeare appropriations set in or engaging with the U.S.-Mexico borderlands, thereby enabling culturally and regionally relevant teaching, performance, and research.
“In recent years, we have witnessed a groundswell of Borderlands Shakespeare productions that engage with the unique, hybrid culture of la frontera and that interrogate the complex layers of colonialism shaping both the region and Shakespeare’s reception in it. “ – Dr Kathrine Gillen
Bibliography Link: https://t.co/wpWdkk0h8Z
Moving Islands: Contemporary Performance and the Global Pacific – MOORE – a Pacific Island Othello. Mahalo nui loa, Dr. Diana Looser for including MOORE in your wonderful book on contemporary performance from Oceania.
Seeing Shakespeare: Narco Narratives and Neocolonial Appropriations of Macbeth in the U.S.–Mexico Borderlands: Marqués – a Narco Macbeth. Literature Compass. Full Article
MIT Global Shakespeare Project: MOORE – a Pacific Island Othello, Livestream World Premiere. MOORE – a Pacific Island Othello has been inducted into the MIT Global Shakespeare Project. Click here or on the image below for a link to the performance webpage.
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